Emily Dickinson
Revolutionary American poet of interiority
Most quoted
"The Robin’s my Criterion for Tune – Because I grow – where Robins do – But, were I Cuckoo born – I’d swear by him – The ode familiar – rules the Noon – The Buttercup’s, my Whim for Bloom – Because, we’re Orchard sprung – But, were I Britain born, I’d Daisies spurn – None but the Nut – October fit – Because, through dropping it, The Seasons flit – I’m taught – Without the Snow’s Tableau Winter, were lie – to me – Because I had not seen it go – But, this – makes not the Robin poor – Nor, of the Nut, deprive the Jay – Because the seasons flit away –"
— from Poem 347, 1862
"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way?"
— from Letter to Thomas Wentworth Higginson
"I’m ceded – I’ve stopped being Theirs – The name They dropped upon my face With water, in the country church Is finished using, now, And They can put it with my Dolls, My childhood, and the string of spools, I’ve finished threading – too –"
— from Poem 508, 1862
All quotes by Emily Dickinson (267)
The Robin’s my Criterion for Tune – Because I grow – where Robins do – But, were I Cuckoo born – I’d swear by him – The ode familiar – rules the Noon – The Buttercup’s, my Whim for Bloom – Because, we’re Orchard sprung – But, were I Britain born, I’d Daisies spurn – None but the Nut – October fit – Because, through dropping it, The Seasons flit – I’m taught – Without the Snow’s Tableau Winter, were lie – to me – Because I had not seen it go – But, this – makes not the Robin poor – Nor, of the Nut, deprive the Jay – Because the seasons flit away –
A Route of Evanescence With a revolving Wheel – A Resonance of Emerald – A Rush of Cochineal – And every Blossom on the Bush Adjusts its tumbled Head – The mail from Tunis, probably, An easy Morning’s Ride –
I reckon – when I count at all – First – Poets – Then the Sun – Then Summer – Then the Heaven of God – And then – the List is done –
The feet of people that’s dead – Can’t go before the feet of people that’s living –
Surprise is like a thrilling – sudden – Savor – Which God has somewhere hidden – In every thing –
I had been hungry, all the Years – My Noon had Come – to dine – I trembling drew the Table near – And touched the Curious Wine –
The World feels Dusty When We stop to Die – We want the Dew – then – Honors – taste dry – Flags – vex a Dying face – But the least Fan Stirred by a friend’s Hand – Cools – like the Rain –
I started Early – Took my Dog – And walked into the Sea – And which was farther off from me The Sea, or the Sea, or the Sea –
The Doomed – regard the Sunrise With different Delight – Because – when next it burns abroad They doubt to witness it –
I tie my Hat – I crease my Shawl – Life’s little duties do – precisely – As the very least Were infinite to me –
To hear an Oriole sing May be a common thing – Or only a divine.
I’m wife to your career – and care – Then my supremacy of none – be told.
The Dew came down upon the world So clear – so cold – so fair – It fell like tears upon the earth – And woke the sleeping flowers.
Elysium is as far as to The very nearest Room If in that Room a Friend await Felicity or Doom – What fortitude the Soul contains, That it can so endure The accent of a coming Foot – The opening of a Door –
I cannot dance upon my Toes – No Man instructed me – But oftentimes, among my mind, A Glee possesseth me, That had I Ballet knowledge – Would put itself abroad In Pirouette to blanch a Troupe – Or lay a Prima, mad,
The difference between Despair And Fear – is like the One Between the instant of a Wreck – And when the Wreck has been –
I hide myself within my flower, That fading from your Vase, You, unsuspecting, feel a bliss In which you yet repose.
The Soul that hath a Guest Doth seldom go abroad – Diviner Crowd at Home – Obliterate the need –
I’m sorry for the Dead – they are so still – But I’m more sorry for the Living – they are so alive.
What fortitude the Soul contains, That it can so endure The accent of a coming Foot— The opening of a Door.
Contemporaries of Emily Dickinson
Other Literatures born within 50 years of Emily Dickinson (1830–1886).