Alfred Hitchcock
Master of suspense
Most quoted
"The audience is like a giant organ that you and I are playing. At one moment we play this note and get this reaction, and then we play that chord and they react that way. And someday we won't even have to make a movie — there'll be electrodes implanted in their brains, and we'll just press different buttons and they'll go 'ooooh' and 'aaahh' and we'll frighten them, and make them laugh. Won't that be wonderful?"
— from Interview with François Truffaut, 1966
"I'm scared of eggs, worse than frightened, they revolt me. That white round thing without any holes... have you ever seen anything more revolting than an egg yolk breaking and spilling its yellow liquid? Blood is jolly, red. But egg yolk is yellow, revolting. I've never tasted it."
— from Interview
"Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since Little Red Riding Hood faced the big bad wolf. What frightens us today is exactly the same sort of thing that frightened us yesterday. It's just a different wolf."
— from Interview
All quotes by Alfred Hitchcock (313)
Always make the audience suffer as much as possible.
Drama is life with the dull bits cut out.
A good film is when the price of the dinner, the theatre ticket and the babysitter were worth it.
To make a great film, you need three things: the script, the script and the script.
There is no terror in the bang, only in the anticipation of it.
Blondes make the best victims. They're like virgin snow that shows up the bloody footprints.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Film your murders like love scenes, and film your love scenes like murders.
The more successful the villain, the more successful the picture.
Revenge is sweet and not fattening.
I enjoy playing the audience like a piano.
Television has brought murder back into the home where it belongs.
I don't say all actors are cattle; what I said was all actors should be treated like cattle.
Give them pleasure – the same pleasure they have when they wake up from a nightmare.
Fear isn't so difficult to understand. After all, weren't we all frightened as children? Nothing has changed since then.
The ideal actor is a man who is a child, a woman who is a child, and an animal who is a child.
I am scared of the police. I am scared of the dark. I am scared of being alone. I am scared of being in a crowd.
I like stories where the hero is in danger, and the audience is in suspense.
I try to get the audience to participate in the film, to be frightened, to be excited, to be amused.
The only way to get rid of my fears is to make films about them.
Contemporaries of Alfred Hitchcock
Other Film & Theaters born within 50 years of Alfred Hitchcock (1899–1980).