Francesco Borromini

I have no other master than the ancient Roman buildings.

My aim is to create new forms, not to repeat old ones.

Architecture is a divine art, and one must approach it with reverence and devotion.

I work for God and for the glory of Rome, not for the praise of men.

The true architect must be a poet, a philosopher, and a mathematician.

I seek to express the movement of the soul through the forms of architecture.

My buildings are not meant to be merely seen, but to be experienced.

Light is the most important element in architecture; it reveals and conceals, it creates drama and mystery.

I prefer to work with difficult forms and materials, for they challenge me to greater invention.

The straight line is a human invention; the curve is a divine one.

I am not afraid to break the rules, as long as I do so with reason and purpose.

My architecture is a dialogue between solids and voids, between light and shadow.

I strive for an architecture that is both monumental and intimate, grand and human.

The beauty of a building lies not only in its form, but also in its function and its spirit.

I have always sought to create an architecture that is alive, that breathes and moves.

My work is a testament to the power of imagination and the pursuit of perfection.

I am a servant of God and of art, and I dedicate my life to both.

The architect must be a master of all trades, from the mason to the sculptor.

I find inspiration in everything around me, from the smallest leaf to the grandest mountain.

My greatest joy is to see my creations come to life, to witness their impact on those who experience them.