Adolf Loos

Architecture Austrian 1870 – 1933 102 quotes

An influential Austrian architect and theorist, he was a pioneer of modern architecture and a critic of ornament in his essay 'Ornament and Crime'.

Quotes by Adolf Loos

The house should be a place where one can live a life of generosity and kindness.

Architecture 1910

The house should be a place where one can live a life of gratitude and appreciation.

Architecture 1910

The house should be a place where one can live a life of humility and modesty.

Architecture 1910

The house should be a place where one can live a life of patience and perseverance.

Architecture 1910

The house should be a place where one can live a life of self-control and discipline.

Architecture 1910

The house should be a place where one can live a life of responsibility and accountability.

Architecture 1910

The house should be a place where one can live a life of integrity and honesty.

Architecture 1910

The house should be a place where one can live a life of respect and reverence.

Architecture 1910

The house should be a place where one can live a life of wonder and awe.

Architecture 1910

The house should be a place where one can live a life of creativity and innovation.

Architecture 1910

The house should be a place where one can live a life of learning and growth.

Architecture 1910

The work of art is a confession of weakness.

Essay 1908

Architecture arouses us out of our everyday life and wakes us up to the desire to do a great deal of good.

Lecture 1910

Lack of ornament is a sign of spiritual strength.

Ornament and Crime 1908

Ornament is wasted labor power.

Ornament and Crime 1908

Modern men who feel at home even in the most ancient buildings.

Essay 1914

Does it not suffice for a building to be beautiful? No!

Speech 1920

The house has to please everyone, contrary to the work of art, which does not.

Lecture 1910

In architecture, the urge to decorate is fatal.

Ornament and Crime 1908

I do not understand how an aristocracy, which for centuries has been used to the most exquisite refinement, can endure the barbarism of modern ornament.

Ornament and Crime 1908