Arjun Appadurai

Anthropology Indian-American 1949 101 quotes

Known for his work on globalization, cultural flows, and the role of imagination in shaping contemporary societies.

Quotes by Arjun Appadurai

The new global cultural economy has to be seen as a complex, overlapping, disjunctive order, which cannot be captured by theories that stress homogenization or simple polarization.

Disjuncture and Difference in the Global Cultural Economy 1990

Globalization is not a single process, but a set of disjunctive and overlapping processes, which are not always in sync with each other.

Disjuncture and Difference in the Global Cultural Economy 1990

The central problem of today's global interactions is the tension between cultural homogenization and cultural heterogenization.

Disjuncture and Difference in the Global Cultural Economy 1990

Imagination is now a social fact, and not merely a private escape.

Modernity at Large: Cultural Dimensions of Globalization 1996

The imagination is no longer a matter of individual fantasy, but a structured field of social practice.

Modernity at Large: Cultural Dimensions of Globalization 1996

Ethnoscapes are the landscapes of persons who constitute the shifting world in which we live: tourists, immigrants, refugees, exiles, guestworkers, and other moving groups and persons.

Disjuncture and Difference in the Global Cultural Economy 1990

Mediascapes refer to the distribution of the electronic capabilities to produce and disseminate information (newspapers, magazines, television stations, film production studios, etc.), which are now available to a growing number of private and public interests throughout the world.

Disjuncture and Difference in the Global Cultural Economy 1990

Technoscapes are the global configuration of technology, moving at high speeds across various kinds of previously impervious boundaries.

Disjuncture and Difference in the Global Cultural Economy 1990

Financescapes are the mysterious, rapid, and deep movements of capital, currencies, and futures.

Disjuncture and Difference in the Global Cultural Economy 1990

Ideoscapes are concatenations of images, largely political, often directly ideological, and frequently involving the ideologies of states and counter-ideologies of movements explicitly bent on capturing state power or a piece of it.

Disjuncture and Difference in the Global Cultural Economy 1990

The nation-state is increasingly a 'deterritorialized' phenomenon, in which the links between people, territory, and sovereignty are becoming more tenuous.

Modernity at Large: Cultural Dimensions of Globalization 1996

The production of locality is an inherently fragile and provisional achievement.

Modernity at Large: Cultural Dimensions of Globalization 1996

The global is not everywhere, but it is everywhere in its effects.

Globalization 2001

The global is not a single thing, but a set of relationships.

Globalization 2001

The global is not simply the sum of its parts, but a new emergent property.

Globalization 2001

The global is not a place, but a condition.

Globalization 2001

The global is not a destination, but a journey.

Globalization 2001

The global is not a choice, but a fact.

Globalization 2001

The global is not a solution, but a problem.

Globalization 2001

The global is not a threat, but an opportunity.

Globalization 2001