Quentin Tarantino — "I steal from every single movie ever made."
I steal from every single movie ever made.
I steal from every single movie ever made.
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"Anything that I'm not interested in, I can't even feign interest. I can't do just this little bit to just get by."
"I like to subvert expectations."
"I have a big thing about killing animals in movies. That's a bridge I can't cross."
"I don't like to be serious all the time. I like to have fun."
"I don't think about the legacy of my films. I just think about making the next one."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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