Quentin Tarantino — "Violence in real life is terrible; violence in movies can be cool. It's just ano…"
Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with.
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"TV's fun, it's good. I've carried memories that I've seen on television for most of my life. But it's also a disposable experience."
"I'm a big fan of genre films. I think they're a lot of fun."
"I like to subvert expectations."
"I'm a big fan of long takes. I think they're cinematic."
"I'm a big fan of grindhouse movies. They're great."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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