Quentin Tarantino — "I'm not a big fan of political correctness. I think it's a disease."
I'm not a big fan of political correctness. I think it's a disease.
I'm not a big fan of political correctness. I think it's a disease.
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"I don't think I'm a misogynist. I just think I like certain movies."
"I'm a big fan of pop culture. I think it's the language of our time."
"I don't like to be subtle. I like to be in your face."
"I'm a big fan of retro. I think it's cool."
"I don't have a problem with gratuitous violence. I have a problem with boring violence."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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