Yayoi Kusama — "I came to America alone, without any money."
I came to America alone, without any money.
I came to America alone, without any money.
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"I fight pain, anxiety, and fear every day, and the only way I can conquer my illness is to keep creating art."
"I want to paint myself as having come out of the womb, naked, and gone into the grave, naked."
"I want to be remembered as a person who brought love and peace to the world through art."
"I am a monster."
"I want to create art that is a celebration of life."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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