Quentin Tarantino — "I like the way blood looks in black and white. It's like a Rorschach test."
I like the way blood looks in black and white. It's like a Rorschach test.
I like the way blood looks in black and white. It's like a Rorschach test.
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"I'm not a big fan of political correctness. I think it's a disease."
"I don't answer questions like that. I reject your hypothesis."
"I have a big thing about killing animals in movies. That's a bridge I can't cross."
"I don't think about the awards season when I'm making a movie. I just think about making a good movie."
"I'm a big fan of movie stars. I think they're magical."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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