Claude Monet — "The more I live, the more I regret how little I know."
The more I live, the more I regret how little I know.
The more I live, the more I regret how little I know.
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"You do not mention the red poppies, which are the important ones as I already have irises, chrysanthemums, peonies and morning glories."
"I'm completely overwhelmed. I can't think straight."
"Every day I discover more and more beautiful things. It's enough to drive one mad. I have such a desire to do everything, my head is bursting with it."
"I perhaps owe having become a painter to flowers."
"I'm absolutely disgusted with everything. I want to leave this place."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Undated, reflecting on his continuous learning.
Date: Undated, approximate late 19th/early 20th century
PhilosophicalFound in 1 providers: gemini
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