Quentin Tarantino — "I just want the same rights that a novelist has... you can write a novel about a…"
I just want the same rights that a novelist has... you can write a novel about a bastard, but he can be totally interesting.
I just want the same rights that a novelist has... you can write a novel about a bastard, but he can be totally interesting.
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"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
"I'm a big fan of practical jokes."
"I'm a big fan of movies that are visually striking."
"I'm a big fan of movies that are unapologetically violent."
"I'm not a feminist. I'm a filmmaker."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
TimesTalks interview with Lynn Hirschberg, discussing artistic freedom.
Date: 2010
PhilosophicalFound in 1 providers: gemini
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