Edvard Munch — "The rich man who gives, steals twice over. First he steals the money and then th…"
The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
The rich man who gives, steals twice over. First he steals the money and then the hearts of men.
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"The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing a…"
"The entire world is a picture of the mind."
"My father was temperamentally nervous and obsessively religious – to the point of psychoneurosis. From him I inherited the seeds of madness. The angels of fear, sorrow, and death stood by my side sinc…"
"Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life."
"Death is pitch-dark, but colors are light. To be a painter, one must work with rays of light."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A cynical socio-economic commentary, likely from his personal writings.
Date: Early 20th Century
Money & BusinessFound in 1 providers: gemini
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