Edvard Munch — "An old wise man's soul has taken up residence in my dog."
An old wise man's soul has taken up residence in my dog.
An old wise man's soul has taken up residence in my dog.
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"The soul is an entity that exists in a state of eternal flux."
"Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me."
"A person himself believes that all the other portraits are good likenesses except the one of himself."
"I have created my art as a necessity, as an expression of my innermost being."
"My fear of life is necessary to me, as is my illness. They are indistinguishable from me, and their destruction would destroy my art."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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