Edvard Munch — "Art comes from joy and pain, but mostly from pain."
Art comes from joy and pain, but mostly from pain.
Art comes from joy and pain, but mostly from pain.
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"What is art? It is the cry of humanity."
"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
"The camera cannot compete with the brush and palette, it is far too clumsy."
"Art is a way to stop time."
"Nothing ceases to exist – there is no example of this in nature.. . There is an entire mass of things that cannot rationally explained. There are newborn thoughts that have not yet found form. How foo…"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A concise summary of the emotional wellspring of his art.
Date: Late 19th - Early 20th Century
Art & CreativityFound in 1 providers: gemini
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