Claude Monet — "Colors pursue me like a constant worry. They even worry me in my sleep."
Colors pursue me like a constant worry. They even worry me in my sleep.
Colors pursue me like a constant worry. They even worry me in my sleep.
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"Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic …"
"The motif is insignificant for me; what I want to reproduce is what exists between the motif and me."
"For a month I have been unable to paint because I lack the colours. That's not important. Right now it's my wife's life in jeopardy that terrifies me. It is unbearable to see her suffer."
"I want to paint the light, and I want to paint the air."
"I am very depressed and deeply disgusted with painting. It is really a continual torture."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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