Claude Monet — "Everyone discusses my art and pretends to understand, as if it were necessary to…"
Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
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"These landscapes of water and reflection have become an obsession for me. It is beyond my strength as an old man, and yet I want to render what I feel."
"It's a trade I learned as a youth… when I was unhappy… Perhaps flowers are the reason why I am an artist."
"I'm absolutely furious. I want to break something."
"These palm trees [in Bordighera, Italy] are driving me crazy; and also the motifs are extremely difficult to render, to put down on canvas; everywhere is so lush."
"My wife just had another baby and I am unable to pay for medical care that mother and child must have."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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