Claude Monet — "Everyone discusses my art and pretends to understand, as if it were necessary to…"
Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
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"The motif is secondary; what I want to capture is what there is between the motif and myself."
"I'm absolutely furious. I can't stand it anymore."
"Color is my day-long obsession, joy, and torment."
"I'm having a very bad day. I feel like crying."
"The light constantly changes, and that alters the atmosphere and beauty of things every minute."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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