John Milton — "For what is worth in anything, But so much money as 'twill bring?"
For what is worth in anything, But so much money as 'twill bring?
For what is worth in anything, But so much money as 'twill bring?
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"To be more known, to be more loved, to be more praised, to be more admired, to be more sought after, to be more followed, to be more magnified, to be more glorified, to be more adored, to be more wors…"
"What if the sun be dark’ned in his sphere, And with no chearful ray salute the spring?"
"For what can be more unjust than to throw the blame of a bad cause upon the fault of the first man?"
"For what more often than not is the cause of all our miseries, but the ill-matching of our desires, and the ill-governing of our affections?"
"How charming is divine Philosophy! Not harsh, and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectared sweets, Where no crude surfeit reigns."
English poet whose Paradise Lost (1667) is the canonical English epic, written while blind during the Restoration after his service to Cromwell's Commonwealth. Closely associated with Andrew Marvell (Commonwealth poet and friend who protected Milton at the Restoration). For an intellectual contrast, see King Charles II's Restoration court, the courtly, sexually-libertine, theater-reopened world of 1660s London — Milton wrote Paradise Lost as a defeated Republican; the Restoration culture around him celebrated everything his Commonwealth had banned. The cleanest 'losing side writes the masterpiece' moment in English literature — Paradise Lost's Satan is freighted with the political defeat of the regicides Milton served.
Paradise Lost (often misattributed or misremembered, actual quote is different in Paradise Lost, but the sentiment exists in other works, though this exact phrasing is not found in his major works. This seems to be a common misattribution, or a paraphrase of a more complex idea.)
Date: 1667 (approx)
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