Marlon Brando — "Hey, you wanna hear my philosophy of life? Do it to him before he does it to you…"
Hey, you wanna hear my philosophy of life? Do it to him before he does it to you.
Hey, you wanna hear my philosophy of life? Do it to him before he does it to you.
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"The more sensitive you are, the more you are subject to suffering."
"I think that I'm a good actor, but I'm not a great actor."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
"Privacy is not something that I'm willing to give up for the sake of celebrity."
"I don't like to be touched. I don't like to be hugged. I don't like to be kissed."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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