Jeff Koons — "I always say that I'm a machine, that I'm a vessel, that I'm a conduit."
I always say that I'm a machine, that I'm a vessel, that I'm a conduit.
I always say that I'm a machine, that I'm a vessel, that I'm a conduit.
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"I think that art can be a very spiritual experience."
"I believe that art is a way to experience the extraordinary."
"I believe that art is a way to connect with the universal consciousness."
"I think that art can be a form of escapism, but also a way to engage with reality."
"I want my work to be enjoyed by as many people as possible."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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