Jeff Koons — "I always try to make work that is accessible and that can be understood by a wid…"
I always try to make work that is accessible and that can be understood by a wide audience.
I always try to make work that is accessible and that can be understood by a wide audience.
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"I want to create art that is so powerful that it can change the world."
"I always try to make work that is visually striking and that grabs people's attention."
"I believe in advertising. I believe in media. I believe in communication. I believe in the power of the image."
"I’m probably one of the most disciplined artists that’s ever existed."
"I want to challenge perceptions and open minds."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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