Allen Ginsberg — "I am a mystery, and I am a secret, and I am a riddle, and I am a paradox, and I …"
I am a mystery, and I am a secret, and I am a riddle, and I am a paradox, and I am a contradiction, and I am a truth.
I am a mystery, and I am a secret, and I am a riddle, and I am a paradox, and I am a contradiction, and I am a truth.
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"I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for …"
"The most important thing about dreams is the existence in them of magical emotions, to which waking consciousness is not ordinarily sentient. Awe of vast constructions; familiar eternal halls of build…"
"I never dreamed the sea so deep, The earth so dark; so long my sleep, I have become another child. I wake to see the world go wild."
"I'm a sex maniac. I'm a pervert. I'm a homosexual. I'm a drug addict. I'm a communist. I'm a Jew. I'm all those things."
"I didn't foresee what you felt—what more hideous gape of bad mouth came first—to you—and were you prepared? To go where? In that Dark—that—in that God? a radiance? A Lord in the Void? Like an eye in t…"
American Beat poet whose Howl (1956) faced an obscenity trial and became a counterculture manifesto. Closely associated with Jack Kerouac (Beat novelist, On the Road) and William S. Burroughs (fellow Beat, Naked Lunch). For an intellectual contrast, see T.S. Eliot, high-modernist poet of The Waste Land — Ginsberg's open-line confessional Beat verse was a deliberate rejection of Eliot's allusive academic formalism — the two halves of mid-century American poetry.
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