Edvard Munch — "I burned with wine and memory of the dark eyes—I was intense and talked to Fru L…"
I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure.
I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure.
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"It is not the subject that is important, but the feeling it evokes."
"I learned early about the misery and dangers of life, and about the afterlife, about the external punishment which awaited the children of sin in Hell."
"The lines and colors of a picture are like words in a poem."
"I don't have any more hope. Nothing to expect with joy so why work - why bother when I will have to eventually die one day. The knowledge to have done something great should be its own recompose. Whic…"
"I painted the picture, and in the colors the rhythm of the music quivers."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A personal diary entry, possibly reflecting on a romantic encounter.
Date: Late 19th Century
Love & RelationshipsFound in 1 providers: gemini
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