Quentin Tarantino — "I don't answer questions like that. I reject your hypothesis."
I don't answer questions like that. I reject your hypothesis.
I don't answer questions like that. I reject your hypothesis.
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"I steal from every single movie ever made."
"I don't care if people think my movies are too violent or too this or too that."
"I'm a big fan of movies that are unapologetically violent."
"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
"I like the way blood looks in black and white. It's like a Rorschach test."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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