Quentin Tarantino — "I don't care about political correctness. I care about telling a good story."
I don't care about political correctness. I care about telling a good story.
I don't care about political correctness. I care about telling a good story.
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"I'm a big fan of exploitation films. I love them."
"I just like to tell stories. And I like to tell them my way."
"I like to torture my characters. I like to put them in impossible situations and see how they react."
"Not every movie needs to be made. Not every movie should be made."
"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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