Quentin Tarantino — "I don't think about the audience when I'm making a movie. I just think about the…"
I don't think about the audience when I'm making a movie. I just think about the story.
I don't think about the audience when I'm making a movie. I just think about the story.
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"I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure."
"I'm not a feminist. I'm a filmmaker."
"If my answers frighten you then you should cease asking scary questions."
"I actually think I'm a better writer than I am a director."
"I'm a big fan of spaghetti westerns. I think they're some of the greatest movies ever made."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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