Quentin Tarantino — "I have a big thing about killing animals in movies. That's a bridge I can't cros…"
I have a big thing about killing animals in movies. That's a bridge I can't cross.
I have a big thing about killing animals in movies. That's a bridge I can't cross.
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"I'm not interested in making movies for children."
"But when the black critics came out with savage think pieces about Django, I couldn't have cared less. If people don't like my movies, they don't like my movies, and if they don't get it, it doesn't m…"
"I'm a big fan of movies that are unpredictable."
"I'm not a big fan of directors who take themselves too seriously."
"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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