Jeff Koons — "I think that art can be a very powerful force for good in the world."
I think that art can be a very powerful force for good in the world.
I think that art can be a very powerful force for good in the world.
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"I think that art can be a very powerful tool for social change."
"I want to challenge perceptions and open minds."
"I want to create a dialogue between the viewer and the artwork."
"My work is about celebrating the everyday."
"I believe that art is a way to explore the human condition and to understand ourselves better."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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