Jeff Koons — "I think that art can be a catalyst for change."
I think that art can be a catalyst for change.
I think that art can be a catalyst for change.
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"I'm interested in the idea of the sublime, of something that is so beautiful that it's almost overwhelming."
"I want my work to be enjoyed by as many people as possible."
"My work is about embracing our past, our present, and our future."
"I want to create work that brings joy and contentment."
"I think that everything is perfect, and everything is beautiful."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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