Marlon Brando — "I think that the only way to grow is to challenge yourself."
I think that the only way to grow is to challenge yourself.
I think that the only way to grow is to challenge yourself.
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"I don't like to be constrained. I think it's stifling."
"If you're going to be a star, you should have a star's salary. I'm not going to work for nothing."
"I just wanted to get out of Nebraska."
"We couldn't survive a second if we weren't able to act. Acting is a survival mechanism, and it's a social lubricant. And we act to save our lives, actually, every day. People lie constantly every day …"
"The more you know, the more you realize you know nothing."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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