Yayoi Kusama — "I used to have hallucinations that flowers were talking to me."
I used to have hallucinations that flowers were talking to me.
I used to have hallucinations that flowers were talking to me.
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"I want to embrace the whole world with my art."
"I am an original."
"I was born in a field of violets and raised among pumpkins."
"I would like to live forever, but I know I'm not going to."
"I want to create art that is a celebration of life."
Japanese contemporary artist whose Infinity Mirror Rooms and polka-dot installations have made her among the highest-grossing living artists, working from the Tokyo psychiatric hospital where she has lived voluntarily since 1977. Closely associated with Donald Judd (early NYC champion of her work) and Andy Warhol (1960s NYC contemporary). For an intellectual contrast, see the 1960s New York Pop establishment, the male-dominated, gallery-political art world that excluded her — Kusama claims Warhol's Cow Wallpaper and Oldenburg's soft sculptures borrowed her ideas without credit. Her 1960s erasure from the canon — and later prominence as the highest-grossing living woman artist — is one of art history's most-cited cases of gendered authorship dispute.
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