Jeff Koons — "I want the viewer to feel good, to feel empowered, to feel self-accepted."
I want the viewer to feel good, to feel empowered, to feel self-accepted.
I want the viewer to feel good, to feel empowered, to feel self-accepted.
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"I want to communicate to people that they should feel good about themselves and that they should feel empowered."
"I think that the most important thing for an artist is to be able to communicate with people."
"I think that art is really about generosity. It's about being able to give to others."
"I want to encourage people to embrace their individuality."
"Banality is my subject."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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