Claude Monet — "I want to paint the light, and I want to paint the air."
I want to paint the light, and I want to paint the air.
I want to paint the light, and I want to paint the air.
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"I am completely absorbed in my work, and I am not thinking of anything else."
"The motif is insignificant for me; what I want to reproduce is what exists between the motif and me."
"The motif is secondary; what I want to capture is what there is between the motif and myself."
"I am only good at two things, and those are gardening and painting."
"I'm so frustrated. I want to smash everything."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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