Marlon Brando — "If there’s anything unsettling to the stomach, it’s watching actors on televisio…"
If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives.
If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives.
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"I don't think I'm a rebel. I think I'm a realist."
"I don't think I'm a prophet. I think I'm a man."
"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"I don't care about money. I just want to be left alone."
"I don't like to be in the public eye. I prefer to be private."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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