Quentin Tarantino — "I'm a big believer in the power of music in movies."
I'm a big believer in the power of music in movies.
I'm a big believer in the power of music in movies.
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"I'm a filmmaker. I'm not a politician. I'm not a preacher. I'm not a teacher. I'm a filmmaker."
"I don't care if people think my movies are too violent or too this or too that."
"I don't care about awards. I care about making good movies."
"I'm a big fan of spaghetti westerns. They're my favorite genre."
"I'd kill a million rats, but I don't necessarily want to kill one in a movie or see one killed in a movie, because I'm not paying to see real death."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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