Quentin Tarantino — "I'm a big fan of blaxploitation films. They're awesome."
I'm a big fan of blaxploitation films. They're awesome.
I'm a big fan of blaxploitation films. They're awesome.
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"I like to subvert expectations."
"I think every film I make is a genre unto itself."
"I don't like to be safe. I like to take risks."
"I'm a big fan of movie posters. I think they're a work of art."
"If you've made money being a critic in black culture in the last 20 years you have to deal with me. You must have an opinion of me. You must deal with what I'm saying and deal with the consequences."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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