Quentin Tarantino — "I'm a big fan of movies that are unique."
I'm a big fan of movies that are unique.
I'm a big fan of movies that are unique.
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"I like movies that are a little bit dangerous."
"I think every film I make is a genre unto itself."
"The good thing about being a writer is you can make up anything you want."
"Once the movie gets going, once the lights go down, you become a collective. There's you by yourself, but then there's all of you together. And then you start appreciating the movie in that way."
"If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he'…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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