Quentin Tarantino — "I'm a big fan of practical effects. I think they're better than CGI."
I'm a big fan of practical effects. I think they're better than CGI.
I'm a big fan of practical effects. I think they're better than CGI.
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"I'm a big fan of directors who have a strong vision."
"Just because you are a character doesn't mean you have character."
"I'm a big fan of movies that are unpredictable."
"I am a writer. That's what I do. It's a writer's job not just to write about himself but to look at the rest of humanity and explore it—other people's way of talking, the phrases they use. And my head…"
"I think violence is a legitimate cinematic tool."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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