Quentin Tarantino — "I'm a big fan of strong female characters."
I'm a big fan of strong female characters.
I'm a big fan of strong female characters.
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"I'm a big fan of feet. I think feet are very sexy."
"I'm a big fan of the moment. I think it's all we have."
"I like the way blood looks in black and white. It's like a Rorschach test."
"I'm not trying to make a statement with my films. I'm just trying to entertain people."
"Violence was like another character in the room. It hung over the proceedings. You kept waiting for every conversation to break out into it. So even if it was funny, the audience might have laughed, b…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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