Quentin Tarantino — "I'm a filmmaker. I don't care about the real world."
I'm a filmmaker. I don't care about the real world.
I'm a filmmaker. I don't care about the real world.
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"If I've made it a little easier for artists to work in violence, great!"
"I don't care about being popular. I care about making movies that I'm proud of."
"I don't like to follow rules. I like to break them."
"I get a kick out of violence in movies. I don't get a kick out of badly done violence or action scenes in movies. It's like, 'How far is too far?' Well, if they do it well, there shouldn't be, 'How fa…"
"The only time I cry is when I watch 'E.T.' And when I run out of ketchup."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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