Claude Monet — "I'm absolutely disgusted with painting."
I'm absolutely disgusted with painting.
I'm absolutely disgusted with painting.
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"I am working very hard, struggling with a series of different effects, but at this time of year the sun sets so fast that I cannot keep up with it."
"I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no."
"These landscapes of water and reflection have become an obsession for me. It is beyond my strength as an old man, and yet I want to render what I feel."
"I'm completely worn out. I need a long vacation."
"I'm having a very bad time just now; everything is going wrong, and I'm very much afraid I shall have to give it all up."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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