Claude Monet — "I'm completely blind, everything is black. I can't paint anymore."
I'm completely blind, everything is black. I can't paint anymore.
I'm completely blind, everything is black. I can't paint anymore.
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"I'm in a foul mood, furious at myself. It's going very badly, I'm not pleased with anything I do, and I destroy as fast as I paint."
"City life doesn't really suit me."
"I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no."
"No one is an artist unless he carries his picture in his head before painting it, and is sure of his method and composition."
"Ah, gentlemen, I do not receive guests when I'm working, indeed. When I work, if I am interrupted, I lose all inspiration; I am lost. You understand, I'm chasing a band of colour."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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