Jeff Koons — "I'm interested in the idea of the iconic. I think that art can create icons."
I'm interested in the idea of the iconic. I think that art can create icons.
I'm interested in the idea of the iconic. I think that art can create icons.
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"I believe that art can be a form of meditation."
"I want to create art that is so powerful that it can change the world."
"I always try to make work that is visually striking and that grabs people's attention."
"I'm interested in the idea of the new, and how art can always be fresh."
"I'm interested in the idea of the universal, and how art can speak to everyone."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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