Jeff Koons — "I'm interested in the idea of the iconic. I think that art can create icons."
I'm interested in the idea of the iconic. I think that art can create icons.
I'm interested in the idea of the iconic. I think that art can create icons.
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"I'm interested in the idea of the everyday. I think that art can be found in everyday objects."
"I want to create art that is so optimistic that it can inspire people."
"I think that art is about being able to communicate on a deep level."
"My work is about the pursuit of perfection, but also the acceptance of imperfection."
"I believe that art is a way to transcend the everyday and to experience something spiritual."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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