Jeff Koons — "I'm interested in the idea of the sacred, and how art can touch upon it."
I'm interested in the idea of the sacred, and how art can touch upon it.
I'm interested in the idea of the sacred, and how art can touch upon it.
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"I believe in art that is accessible to everyone."
"My work is about the pursuit of perfection, but also the acceptance of imperfection."
"I think that the most important thing for an artist is to be able to communicate with people."
"I think that art can be a very powerful way to express yourself."
"I think that art can be a form of escapism, but also a way to engage with reality."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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