Jeff Koons — "I'm interested in the idea of the sacred, and how art can touch upon it."
I'm interested in the idea of the sacred, and how art can touch upon it.
I'm interested in the idea of the sacred, and how art can touch upon it.
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"I believe that art is a way to celebrate life and to appreciate its beauty."
"I want my work to be a balance between the ideal and the real."
"I want to create art that is so profound that it can change perceptions."
"I want to create work that is generous and that gives to others."
"I'm a big believer in the power of the individual, and the power of the mass."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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