Quentin Tarantino — "I'm not a fan of political correctness."
I'm not a fan of political correctness.
I'm not a fan of political correctness.
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"I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good."
"I'm a big fan of strong female characters."
"I'm a big fan of revenge movies."
"I don't think about the message of my films. I just think about the story."
"I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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