Marlon Brando — "I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"We don't go anywhere. Going somewhere is for squares. We just go!"
"I’m not an actor—I’m a guy who gets paid for acting."
"All I want to be is normally insane."
"I don't like to be controlled. I think it's demeaning."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty