Marlon Brando — "I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
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"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
"I think that the only way to live is to be true to yourself."
"I don't think anyone should be forced to do anything against their will."
"I'm going to make him an offer he can't refuse."
"I don't think I'm a sex symbol. I think I'm a human being."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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