Quentin Tarantino — "I'm not interested in being a nice guy. I'm interested in being a good filmmaker…"
I'm not interested in being a nice guy. I'm interested in being a good filmmaker.
I'm not interested in being a nice guy. I'm interested in being a good filmmaker.
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"I don't do drugs. I don't drink. I don't smoke. I just make movies."
"People can uh absolutely positively uh accuse my movies of being bloodthirsty. and they might very well be right and if that is not your cup of tea. then you should drink another cup of tea."
"I think your questions are reductive and I'm not answering them."
"I'm a big fan of exploitation films. I love them."
"I wish I had sat him down and gone, 'Harvey you can't do this, you're gonna f*** up everything.' I don't think anybody talked to him about it."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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