Jeff Koons — "I've always been interested in the idea of the readymade, of taking something th…"
I've always been interested in the idea of the readymade, of taking something that already exists and transforming it into something new.
I've always been interested in the idea of the readymade, of taking something that already exists and transforming it into something new.
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"I believe in advertising. I believe in media. I believe in communication. I believe in the power of the image."
"I want to celebrate life and all its possibilities."
"I want my work to offer a moment of reflection and contemplation."
"I always try to make work that is visually striking and that grabs people's attention."
"I want my work to offer both a dream and a reflection of the world."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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