Quentin Tarantino — "Just because I was at an anti-police brutality protest, doesn't mean I'm anti-po…"
Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.
Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people.
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"I'm never bothered that people say I don't make films 'from life' and that I have 'nothing to say.' I don't try to say anything but to create characters and to tell stories out of which meaning can ap…"
"I'm a big fan of grindhouse cinema. I think it's a lost art form."
"I'm a big fan of the unexpected. I think it's what makes movies fun."
"I'm a big fan of movies that challenge the audience."
"To me they're all living inside of this one universe. And it isn't [pointing out the window] out there. Well, it's a little bit out there, and it's also there, too [points at his TV], in the movies, a…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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