Marlon Brando — "Most of the successful people in Hollywood are failures as human beings."
Most of the successful people in Hollywood are failures as human beings.
Most of the successful people in Hollywood are failures as human beings.
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"All I want to be is normally insane."
"I don't like to be constrained. I think it's stifling."
"I don't want to be a symbol. I want to be a man."
"I'm not afraid of death. I'm afraid of dying."
"I'm not a star. I'm an actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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